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The speaker cable model Type 4 was first introduced about 1983. It wasn’t the prettiest cable, but the performance advantage of its polypropylene insulation was dramatic and much appreciated. Several evolutionary steps later, the current version of Type 4 was introduced in 1995—a design whose foundation is so well balanced that it hasn’t changed since then—and still isn’t changing. Types 9 Low-Distortion & Low-Noise speaker cable is essentially Type 4 with better metal, and with added layers and techniques of Noise-Dissipation for more effective noise control than any previous Type 4 iteration. In addition, Type-9 conductors are a little bigger than previous 4-series cables. The conductors are a little farther apart, reducing interaction between adjacent conductors by 35%. Solid Perfect-Surface+ Sonic-Signature Conductors Multi-Layer Carbon-Based Noise-Dissipation and Direction-Controlled Conductors Star-Quad Geometry

The speaker cable model Type 4 was first introduced about 1983. It wasn’t the prettiest cable, but the performance advantage of its polypropylene insulation was dramatic and much appreciated. Several evolutionary steps later, the current version of Type 4 was introduced in 1995—a design whose foundation is so well balanced that it hasn’t changed since then—and still isn’t changing. Types 5 Low-Distortion & Low-Noise speaker cable is essentially Type 4 with better metal, and with conductors that are a little farther apart, reducing interaction between adjacent conductors by 35%. Solid Perfect-Surface+ Sonic-Signature Conductors Carbon-Loading and Direction-Controlled Conductors Star-Quad Geometry

Can a speaker cable sound great, be practical and easy to use, be sexy and be easily affordable? Yes! Q2's inner Long-Grain Copper (LGC) conductor is surrounded by an outer spiral of 11 strands of LGC. The result is AQ's new flexible Solid+ Concentric Conductor, with sound quality even closer to that of an ideal solid conductor and yet big enough to make a great cable with only two simple-to-prepare conductors. Then, the two conductors (+ and -) are spiraled for minimum inductance (inductance makes sound seem out of focus), and maximum clarity and dynamics...and then this ideal cable is given a sexy, square, deep black outer jacket.

In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Cinnamon USB, you won't think so either...

In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Diamond USB, you won't think so either...

In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Coffee USB, you won't think so either...